top_photo
  BerkeleyPoetrySlam CALENDARredbox   TEAMSpurplebox   RESOURCESbluebox   ABOUTorangebox   STOREgreenbox   LINKSyellowbox  
CALENDAR   TEAMS   RESOURCES   ABOUT   STORE   LINKS  

Every Wednesday at
The Starry Plough
3101 Shattuck Ave
Berkeley, California
Call (510) 841-2082 for more info.
Driving directions by MapQuest™

Sign-up to read at 7:30pm
Show starts at 8:30pm


The Update
Join the Update, a weekly email newsletter previewing & reviewing the Entire Bay area Spoken Word scene!


join_now Click to
subscribe to daniland_productions, a monthly email list for the Berkeley Slam, daniland shows, bEASTfest, & more!


The Berkeley Slam is
partially sponsored by:


HIRE OUR POETS!

If you are looking for poets to perform at your school, university, event, or venue, contact daniland talent (who handles the booking of Team Berkeley, The Berkeley Slam Squad, and many other talented poets).

Tip for poets about Slamming…

Basic Strategy:

1. Have fun. Have fun before taking the stage, on the stage, and off the stage. People will notice and reward you.

2. Be a good sport. Better to let some asshole win on a technicality this time and leave with the audience on your side.

3. Be confident. Audiences respect humility, but love confidence.

4. Know the rules, when you'll be reading, and who you follow.

5. If you break a rule, do it with STYLE.

6. Be friendly with the organizers, bring friends to be in the audience. Consider that the prize may be $20, but the people you meet can often hook you up with paying gigs, even if (or maybe because) you lost a slam.

7. Watch the judges and consider what they are scoring high. Consider what their biases may be.

8. Do your best work FIRST. If you don't advance to the next round, it won't matter what you still have left in reserve.

9. Consider who you are following, and what style of poem they are most likely to do. Pick a couple likely responses.

10. Consider who follows you, and if you have a poem which "shuts them down" before they even speak.

11. Know who you are, or at least what "character" type you are most likely to be perceived as. Be aware that a poet before you or after you may use a character that "trumps" yours. I liken this to a deck of cards; a King trumps a Jack, an Ace (or team piece) can trump a King.

12. The audience will always struggle to "peg" you as a person or archetype before they listen to the poem. Time they spend trying to figure out what makes YOU tick is time taken from your poem. Consider ways of dressing and non-verbal behaviors which will help them to recognize who you are or wish to be perceived AS QUICKLY as possible.

13. Lead the audience, do not Boss the audience.

14. Show, not Tell.

15. Audiences want to be told what they already know. They want their expectations to be filled, especially regarding acting out your archetype. How you choose to remain true to yourself is what makes you an individual. If you can convince an audience what they really want to know is something only you have, something unexpected, then you've got it in the bag.

16. You can only continue to "One Up" a particular subject/style/poem twice before scores begin to drop.

17. After a topic has been overdone, or three poets in a row have attempted to "One Up" each other, then this is the perfect time to "Flip" the energy and do something completely different. Like a comedic piece after three heavy political pieces.

18. If the poet ahead of you bombed, then avoid doing the same kind of poem, even if your version is much better.

19. Vary the level of intensity of delivery during your performance.

20. Honesty beats artifice, sincerity beats sarcasm, drama beats comedy, team beats individual, emotion beats reason, politics beat sex. Most of the time. Again, if you can make yourself the exception, your reward will be that much greater.

21. Most slams are popularity contests. Some slams are about choosing the competitor most worthy to be called "Poet." Some slams will only let you win if you are an embodiment of what the audiences itself wishes to be. Other slams are unspoken auditions for gigs. Try to figure out what the TRUE prize of a slam is, and proceed accordingly. Dismissing the unspoken prize can set you apart from the crowd - for better or worse.

22. You can never lose if you learn something.

TIPS: GENERAL :: VOCALIZATION :: AT A SLAM :: BASIC STRATEGY

Tips about Slamming

General Performance TIps
Vocalization TIps
At a Slam
Basic Strategy

Audio / Video

Best of the
Berkeley Slam CD!

HOME :: CALENDAR :: TEAMS :: RESOURCES :: ABOUT :: STORE :: LINKS :: © 2003 Daniland :: site by easternBLOCK Design

daniland productions (music & spoken word shows) // daniland talent (spoken word artists & bands available for hire) // danieurynome.com // charlesellik.com